Before after Null | 政府出版品書目資料查詢網

‘Injector after Null’ takes as a starting point the artwork sandbox, presented as part of Hsien-Yu CHENG’s 2017 solo exhibition ‘injector before Null’. By intercepting and redirecting radio signals from the audience’s mobile devices provided by local carriers, sandbox sought to make use of the empty exhibition space to obtain a temporary phone number by which specially elaborated SMS messages were transmitted in order to guide the audience to explore several works apparently absent from the site. Most of the text messages concerned “things that seem to exist even if the viewer cannot verify their existence from beginning to end”.

This idea of “seemingly existing things” becomes an inspiration for the current exhibition’s conceptual evolution. Things come into existence primarily by means of human discovery, verification, definition and categorization. Imagin...